February 12, 2007

  • I am more and more convinced that our
    happiness or unhappiness depends far more
    on the way we meet the events of life, than
    on the nature of those events themselves.
    ~Alexander Humboldt

    BEING REAL

    Does it hurt? asked the Rabbit.

    Sometimes, said the Skin Horse, for he was always truthful.
    When you are Real, you dont mind being hurt.

    Does it happen all at once, like being wound up, he asked, or
    bit by bit?

    It doesnt happen all at once, said the Skin Horse. You
    become. It takes a long time. Thats why it doesnt often happen to people who
    break easily, or have sharp edges, or who have to be carefully kept. Generally,
    by the time you are Real, most of your hair has been loved off, and your eyes
    drop out and you get loose in the joints and shabby. But these things dont
    matter at all, because once you are Real you cant be ugly, except to people who
    dont understand.

    – Margery Williams (The Velveteen Rabbit)

    Man goes into a cocktail lounge and approaches Maxine
    sitting
    by herself :


    Man:
    “May I buy you a cocktail?”


    Maxine:
    “No thank you, alcohol is bad for my legs.”


    Man:
    “Sorry to hear that. Do they swell?”


    Maxine:
    “No, they spread

    .”

    I Like It Like That (A Mi Me Gusta Asi)
    Pete Rodriguez
    1966

    With its brassy trumpet line (think James Bond theme) cadre of
    bemused backup singers, funky barrelhouse piano, and eclectic selection of Latin
    percussion, Pete Rodriguezs big hit I Like it Like That wasnt Cuban big band,
    R&B, mambo, or rock but a new dance craze called boogaloo. Not to be
    confused with electric boogaloo, boogaloo was a New York dance that mixed
    African American and Puerto Rican musical styles, bringing a racially mixed
    dance party to the streets and then to the world. Everyones invited and the
    exciting LP that launched I Like It Like That is packed with other gems as well.
    Rodriguez is a master of simplicity and effectiveness. Theres not a sound or
    note on the album that doesnt get you moving. He even stops to get the whole
    crowd to sing along.

    Another big highlight on this album is Petes
    Madness a furiously cinematic concoction of berserk percussion and slinky piano.
    After a dynamite opening we sink into some way, way out-there piano hammering,
    where the piano is used more for percussion than melody but thats okay. Micaela
    has a three-chord La Bamba feel with a dreamy, creamy Latin lead vocal doing
    call-and-response with the chorus, finger snaps, and a hot piano. For the crowd
    that finds straight-up Latin jazz too daunting and blanches at the idea of
    Xavier Cugat, here is the perfect intro: the Latin oomph and passion with the
    rich, heavy bottom of soul and solid, funky rhythm of rock. Hug me, Baby / Hug
    me, Mama! / Move that thing! Pete shouts during the piano solo on Micaela. Move
    that thing you will.

    The boogaloo craze ended by 1969. By then the
    summer of love had arrived and music like that of Rodriguez had fallen
    temporarily into Squaresville. Thank heaven then that we live in a postmodern
    age where albums like this gem can resurface, remixed and better than ever,
    glistening with a timeless sense of fun and a beat that cant be stoppedjust look
    at the good time those people are having on that album cover. This record will
    earn you the label of cool when spotted in your collection by even the most
    jaded Williamsburg hipster, yet your parents will also probably dance to it. Now
    thats a rare combination.

    Listen to all
    sound clips from this CD

  • “I
    Like It Like That”
  • “Petes Madness”
  • “Micaela”
  • Buy this
    CD

    Fresh melon

    Lilac trees

    Shea butter

    Peonies

    Fresh  ground cinnamon

    Curry proud

    Forget-me-nots all in a row

    Ample chocolate

    Senses soar.

    © 2007  Laurie B

    I love you!!


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