If you like doing laps
in the swimming pool, you might want to stock up on the energy drinks before
diving in to this one.
It is more than 1,000
yards long, covers 20 acres, has a 115 ft deep end and holds 66 million gallons
of water.
Yesterday the Guinness Book of Records named the vast pool
beside the sea in Chile as the biggest in the
world.
But if you fancy
splashing out on one of your own – and you have the space to accommodate it –
then beware: This one took five years to build, cost nearly £1 billion and the
annual maintenance bill will be £2 million.
The man-made saltwater lagoon
has been attracting huge crowds to the San Alfonsoo del Mar resort at Algarrobo,
on Chile‘s southern coast, since
it opened last month.
It’s turquoise waters
are so crystal clear that you can see the bottom even in the deep end.
It
dwarfs the world’s second biggest pool, the Orthlieb – nicknamed the Big Splash
- in Morocco, which is a mere 150
yards long and 100 yards wide. An Olympic size pool measures some 50 yards by 25
yards.
Chile’s monster pool
uses a computer- controlled suction and filtration system to keep fresh seawater
in permanent circulation, drawing it in from the ocean at one end and pumping it
out at the other.
The sun warms the water to 26 C nine degrees warmer
than the adjoining sea.
Chilean biochemist Fernando Fischmann, whose
Crystal Lagoons Corporation designed the pool, said advanced engineering meant
his company could build “an impressive artificial paradise” even in inhospitable
areas.
“As long as we have access to unlimited seawater, we can make it
work, and it causes no damage to the ocean.”
I have to complain! It’s only going to be 39 here today,
and we might have snow tomorrow. This is not normal-usually
we have temps in the 50′s and 60′s by now!!
MEH!
Blacks and Blues
Bobbi
Humphrey
1973
A cool breeze blows through the good-time jams on Blacks and
Blues, the third album by jazz-funk crossover flautist Bobbi Humphrey. This
isn’t the sweaty, heady jazz of late-night bop sessions. It’s far groovier than
that, as informed by soul music and R&B as it is by the harmonies and
spontaneity of jazz. Composed and arranged by the same Motown production team
responsible for “ABC” and “I Want You Back” by the Jackson Five, Blacks and
Blues rides along on a stream of easygoing funk rhythms and the telepathic
interplay of the musicians behind them. Atop it all, Humphrey shows again and
again why she was the first female signed to famed jazz label Blue Note. Her
flute flies high and nestles into the deep pockets, a soothing balm for a hot
summer day.
Heavy gusts of wind open “Chicago, Damn” with a literal
depiction of the Windy City, leaving behind a whole mess of funk detritus. At
first it’s just a rock-solid drumbeat and rubbery bass line, then the wah-wah
guitars, hand percussion, piano, and synthesizers thicken the mix. A small
chorus even comes in for a few short phrases before Humphrey’s flute starts
riffing on the sounds of the city—you can hear birdsong, conversation, laughter,
and tears in her wafting flute lines. Blacks and Blues is less about the
song than the steady accumulation of a groove. Every few bars there’s something
new going on, another instrument or bass lick for Humphrey to play off of.
Congas, N’awlins-style piano banging, and vintage synths all contribute to the
exuberant climax of “Jasper Country Man,” the deepest funk-shuffle of the album.
The ballad “Just a Love Child” bubbles over with laid-back charm,
Humphrey’s girlish vocals (“Love child / Falling off your cloud for just a
minute”) complementing the sweetness of her flute playing in a sun-dappled
daydream. Same goes for the molasses-slow closer “Baby’s Gone,” where Humphrey
and band transform the lovelorn sigh of the title phrase into a caressing funk
lullaby. It’s a smooth and delicious groove soup, filled with instrumental bits
that jump out and then roll back down. But even more than the sterling
musicianship throughout Blacks and Blue, the relaxed mood that floats
through the album sticks most, coasting on the back of Bobbi Humphrey’s
silky-smooth flute playing.
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